Eat a Peach

I did not want to hear what I knew would be bad news. But she delivered the feared message anyway. The lady at the farmers market from whom I'd been buying perfect peaches from for the last month nonchalantly announced that this would be her last market for the season. No more perfect peaches until next year. Sad news indeed.

These peaches were so juicy and sweet that I had to eat them over the sink. I would savor every morsel down to the pit then wash my sticky hands as I contemplated eating another. With each luscious bite of these delicate wonders I thought with pity about all the pastry chefs in the world. It must be hard on them to realize that with all their years of training and talent that nothing they can conjure up can surpass the pleasure of an unadorned perfectly ripe peach. Any addition would actually be a subtraction distracting from the purity and lush layered flavors of my simple peach.

When Mother Nature delivers perfection to you, you should leave it well enough alone. When something is perfect any additions only take away from that perfection. We don't add movements to Beethoven's Fifth, add another chapter to Moby Dick or splash some more paint on a Jackson Pollock. Yet when it comes to food and wine we can't seem to resist. More is not always better.

In 1984 my tastebuds received enlightenment, but it was not from a wine, it was a peach. In that year I had been invited by Neil and Maria Empson to join them on a tour of all the wineries in their Italian portfolio. This experience was a culinary and vinous voyage of discovery. I was immersed in amazing wines, foods and people for the better part of a month in an unparalleled educational opportunity. Yet among all of those incredible taste experiences the one that sticks to me the most is a single perfect peach. We were having one of those idyllic Italian lunches on a gorgeous day in Piemonte with Bepe and Tino Colla. In the Italian way, fruit was served instead of dessert. I don't know if it was the peach or the growing enlightenment of my tasting ability, but this beautiful white Italian peach seemed to just explode on my palate. My mouth still waters just writing about it over thirty years later. Each time I have a peach, my mind goes back to that table. I am always trying to return to that experience of a single unadorned peach.

Now it's September in the Applegate Valley of Southern Oregon and it has been literally a picture perfect growing season. While harvest is coming to an end in California and well underway in the Willamette Valley, we are just getting started in our Siskiyou mountain vineyards and only the first fruit destined for rosé has arrived at the winery. The fruit on the vines looks perfect. What should you do with perfect fruit? Simply as little as possible.

At Troon Vineyard the bins of fruit come in and we tread them by foot - red, white and rosé. Then we let the native yeasts start the natural process of fermentation in well used French Oak barrels. Anything we try to add will only take away as nature is only asking us to be stewards of the wine in its voyage from the vine to the bottle. In winemaking we should always be asking ourselves not what we can do, but only what we absolutely have to do.

As I roll my last perfect peach of the season in my hands it is clear to me that the sublime is to be found only in purity. Simplicity is not the same as simple. The true complexities of experience can only be relished when the extraneous distractions of the world are either removed, or perhaps, more portantly, never added. For me this is the real definition of "natural winemaking".

Tonight after dinner I will savor one last perfect peach. I can't think of a better preparation for harvest 2016.

Journal RSS

Swearing Like an Italian

I'm a unabashed fan of Luca Currado and his wines at Vietti. I had the pleasure of spending hours tasting through his cellar with him when I lived in Italy. He is a thoughtful and talented winemaker making extraordinary wines. Do not miss the current interview with Luca on I'll Drink to That with Levy Dalton, the consistantly excellent wine podcast. You can find it here.

In Italy, swearing is an artform as compared to English, where it is usually simply vulgar. In Italian swearing decorates the language adding life, spice and personality. In this interview, Luca leads us on a educational tour of this Italian artform. It's a delight!

The Vietti family story is very compelling and this interview touches on the entire modern history of winemaking in Piemonte, beautifully told by the colorful and delightful Luca Currado.

No 2006 Produttori

Thor, a wine writer and blogger whom I greatly admire and an all-around mensch, wrote the other day to winemaker Aldo Vacca (left) inquiring about his decision not to bottle his 2006 crus. Thor was kind enough to share Aldo’s response and Aldo was kind enough to allow me to post it here.

Technical reason: 2006 is a very good vintage, but warm and ripe, lacking a little bit of the finesse and complexity to make a truly great S[ingle]V[ineyard wine] and yet preserve excellent quality in the regular bottling. We think 2005, lighter in body, has more fruit and balance, at least in Barbaresco and at least for Produttori.

Marketing: with the current economy we thought it more appropriate to produce a larger quantity of solid, extremely good 2006 Barbaresco avoiding a flooding of the market with too many SV wines, since 2007, 2008, 2009 will all be produced. Had 2007 or 2008 been bad vintages, we would have released 2006 SV, but since we have so many great ones, we felt we could skip one and stay on the safe side of the fence.

—Aldo Vacca

via Do Bianchi

It is perhaps difficult to understand what unusual act is being reported here by Thor Iverson (oenoLogic) and Jeremy Parzen (Do Bianchi). Here is a producer declining to make his most sought after and highest priced wines simply because being good is not enough. Also they are not doing this in some dismal vintage full of rain and rot, but from a vintage whose only fault was too much sun. This is the very type of vintage lauded as perfect by The Wine Spectator in 2000 and nearly so in 2003. Standards like this are almost unknown in wine anymore. When was the last time there was no Chateau Lafite, Screaming Eagle and so on? I think Aldo Vacca is doing much more than just staying on the “safe side of the fence” with this decision. Standards like this are why the wines of the Produttori del Barbaresco are true cult wines in a world of pretenders.

The Pleasures of Youth

The 2008 Vietti Tre Vigne is here! The Vietti Dolcetto Tre Vigne Dolcetto d’Alba is always on my every day favorite list. Explosively fruity, brisk, zesty and bright. It’s all about immediate pleasure - no waiting required. That’s why I’m always excited when the new vintage arrives as it’s never more fun to drink as when it’s a charming adolescent and, anyway, it’s a boring adult so waiting is not recommended. Maturity is for nebbiolo not dolcetto. In fact I’m already anxiously waiting for the 2009.

It’s always frustrating that we can’t seem to make wines like this in California. That’s something I have to work on.

Redux: the Risotto Lesson

This article is an updated version of an article I wrote for eGullet.org a few years ago

Risotto is rice in the spotlight - the star of the show. This is a very different concept than the way rice is usually used in the United States, as a backdrop, something to fill up the plate. Risotto is a classic dish of northern Italy and there are as many variations as there are ingredients available. What’s the big deal? Rice is rice, right? Wrong.

Everything is special about Risotto. The rice, the ingredients and the way it is cooked makes it not only delicious, but the most elegant rice dish in the world. Risotto, like all Italian cooking, is first based on the quality of the ingredients. To make wonderful risotto you have to have just the right rice and a fresh tasting broth that brings out the flavors of the other ingredients. The right technique is also essential. Without it you end up with a rice mush. Forget those who argue for shortcuts like pressure cookers. There are no shortcuts to great risotto.

Why would you want to take a shortcut? Making risotto is like therapy and much cheaper than lying on your shrink’s couch for an hour. The rhythmic and peaceful nature of making risotto has a mantra like effect. Perhaps this is the start of a new self-help book, “Kitchen Therapy, the way to spiritual enlightenment through stirring”. Risotto takes time. It is not hard to make, it just requires patience and a little care. Like all things involved with fine dining, risotto is not about speed. Not that it takes that long, only twenty minutes form the time you start cooking, but it requires your undivided attention for those twenty minutes.

Unfortunately there is a lot of poor risotto sold in restaurants at high prices. If your risotto arrives at your table in less than twenty minutes you know they are cheating in the kitchen. Risotto made using shortcuts never has the texture and complexity of risotto properly made. Risotto is much more than rice carrying other flavors. If you can’t taste each grain of this special rice dish keep trying. The goal is to learn the technique and then start creating your own recipes.

The Rice

No you can’t use that big bag of rice sitting in your cabinet to make risotto. Risotto can be made from only three types of rice – all from Italy. Sometimes you see Arborio or one of the other types of Italian rice grown in the USA, but I say avoid them. To get stellar risotto you have to seek out the best Italian brands. Yes, that inexpensive box of Arborio at the grocery will work just find, but with a little more investment in time and money you will find brands that cook and taste better.

The secret to risotto is in the way these types of Italian rice absorb liquid – in our case the broth. Each piece of the rice used for risotto has two characteristics:

• A very soft starch on the outside that melts away from the kernel and makes gives the creamy texture to risotto.
• A very hard inner starch that stays firm and gives the risotto its backbone – the ability to have in the finished dish an ‘al dente’ or firm texture to each grain of rice.

This combination of creaminess (no actual cream required or wanted) and an individual bite for each grain is what makes risotto so special. You can only create this unique combination with three types of rice.

Arborio

Arborio is the Marilyn Monroe of rice, very amply endowed with the outer layer of starch that melts away, but it is a little light on the inner, hard starch that gives bite each kernel of rice. These characteristics produce the very rich and creamy risotto style of risotto loved in Lombardia, Emilia-Romagna and Piemonte. The famous Risotto Milanese was born of this rice. Warning: because of all the soft starch it is easy to overcook Arborio and end up with rice porridge instead of risotto. You always want to be able to taste each grain of rice. It is grown primarily in Piemonte and Emilia-Romagna. You must buy the ‘superfino’ grade of Arborio. The superfino name can be applied to only the plumpest grains.

Vialone Nano

The rice of choice in Veneto and Fruili. This is a short ugly little guy and is almost the opposite of Arborio in that it has a strong hard inner kernel and is light on the soft outer layer that melts away. This is perfect rice for those who really appreciate the ‘al dente’ style. While Arborio creates a very creamy risotto, Vialone Nano is more grainy and each kernel is very distinct in the dish. A perfect choice for seafood risotto and very fresh vegetables. To me this rice is so distinct from Arborio they are almost different dishes.

Carnaroli

The new kid on the block. Carnaroli only arrived on the Italian scene in 1945, the creation of a Milanese rice grower who created a hybrid by crossing Vialone Nano with a Japanese variety of rice. This is the most expensive or the three types of rice and combines the strengths of both Arborio and Vialone Nano. Carnaroli has more than enough the outside soft starch to make a creamy risotto, but also has a substantial amount of the hard inner starch to make an ‘al dente’ risotto with clearly defined kernels of rice.

I recommend using and experimenting with all three until you establish your own personal preferences. With experience you will probably want to use all three depending on what kind of risotto you are making.

The Broth

Cookbook after cookbook suggests using chicken broth for risotto. With few exceptions a delicate beef based broth will give you a far more complex and interesting risotto. Some chefs argue that chicken broth can give a bitter flavor to risotto. I have used chicken broth with good results, but greatly prefer the flavor of risotto prepared with beef broth. This is true for all except seafood risotto which is cooked with a broth from the fish or shellfish in the dish.

First an important definition, the broth you use for risotto is not stock. A stock is made by simmering meat or fish with bones and vegetables the resulting liquid is strained and often reduced to concentrate flavors. An Italian broth is often the byproduct of making a main dish like Il Lesso da Brodo, a boiled meat main course that creates a wonderful broth. This broth is much more delicate than the classic French style stock made with many bones to create the rich flavor that is the basis for sauces. A stock would produce flavors too intense for risotto as the flavors are concentrated as the cooking proceeds.

The easy broth recipe:

In a 6 to 8 quart pot of cold water add:

• 2 carrots peeled and halved.
• 2 stalks celery with leaves if possible
• 1 onion, halved.

Bring the water to a rolling simmer.

• Add a 4 to 6 lb. chuck roast or other inexpensive cut of beef and three or four pieces of chicken (legs and thighs) and return to a full simmer. Make sure the meat is covered by at least of two inches of water.
• Reduce heat to just simmering, cover loosely and skim any scum that comes to the surface.
• After two hours add 2 tsp. sea salt.
• Simmer gently for about 4 hours in total, or until the meat is very tender.
• When done serve the meats hot or cold with your favorite condiments – like extra virgin olive oil and lemon or horseradish and mustard. Though not very Italian the beef makes great hot or cold sandwiches.
• Strain the remaining broth and refrigerate overnight , discard the vegetables . When cold remove the congealed fat. If you don’t have time to refrigerate strain the broth through a cheese cloth that has been in the freezer for at least a half an hour.
• If you prefer to use chicken stock use the above recipe replacing the beef with a 4 to 5 lb. whole chicken. For the decadent version of Risotto Milanese replace the beef with meaty beef shanks with marrow and add the marrow to the risotto.

Serving Risotto

Primo or secondo? Risotto can fill both roles with style. Following the traditional Italian manner of eating; first would come the antipasti (appetizers), followed by the primo (the first course usually a starch like pasta or risotto), which would be followed by the secondo (main course usually fish or meat). However we find risotto such a satisfying dish we often serve it as the main course. If you are having a formal Italian meal and going through all the courses, any of the these risotti as a first course will help make your dinner an elegant occasion. Because these are relatively rich risotto recipes, I would recommend a secondo featuring meat as fish may seem a little delicate after either of these risotti. Also if you follow with a meat course you can easily continue with the wine you matched with the risotto.

In Milano, they often serve Risotto Milanese in a way that breaks the normal rules of primo and secondo. Instead of a first course the risotto becomes side dish (more equal partner) to Osso Buco, the famous braised veal shank dish of Lombardia. Of course this risotto is also served as a traditional first course both in restaurants and at home.

Serving risotto as a main course is also a great opportunity as a prelude to a more elaborate cheese course to top off the meal. The textures and flavors of the cheeses are a great counterpoint to the risotto.

Basic Risotto

Serves 4 as a main course (secondo) or 8 as a first course (primo).

Preparation time: 45 minutes (20 minutes cooking time)

The basics*: the basic technique used for both recipes.

• 10 or more cups hot meat broth - Yours, never canned. See the easy broth recipe above.
• TIP: Keep the broth hot, almost boiling, over heat throughout the preparation
• 1 small onion -finely chopped
• TIP: Take the time to dice the onion very finely. I do not recommend a food processor.
• 1/4 pound unsalted butter. I recommend Pulgra or a European style unsalted butter as it has a richer flavor than commercial American butter. Use the American butter if you can’t find the European style butter it will still be good.
• TIP: Feel free to use a little more butter- the dish will be that much richer.
• 2 cups - Italian Arborio or Carnaroli Rice - do not replace. You have to use these unique types of rice imported from Italy for the best risotto.
• TIP: The rice is critical because these type of Italian rice absorbs a huge amount of liquid.
• 2 glasses good dry white wine.
• TIP: If you won’t drink it don’t put it in.

The beginning:

• In a large, large heavy sauté pan, melt all but 2 tablespoons of the butter over medium heat being sure not to let the butter brown.
• TIP: I use a 5 quart Calphalon sauté pan as the handle helps steady the pan while stirring. I don’t like using a pot with sides that are very high.
• TIP: Keep the pan as hot as you can throughout the process without burning or browning anything! As you add the hot broth it should immediately come to a light boil in the pan with the rice.
• Once the butter is melted put the chopped onions in the pan and lightly sauté until just translucent never letting them brown.
• From now on you must stir gently, but throughly and constantly until the rice is cooked.
• TIP: I recommend a broad flat wooden spatula. Stirring should be slow and make sure to reach all parts of the pan.
• Once the onions are just cooked add the rice and toss with the butter and onions. Cook and toss like this for about a minute.
• Increase the heat to medium high and add 1 glass of the wine and cook until evaporated, drink the other glass while cooking the risotto.

You have now reached the point of variations. The beginning and the finish is the same only the middle changes. You must have made up your mind before you get to this point which risotto you are going to make as the process must be continuous, not stop and go.

Variation One—Risotto con Funghi (porcini mushrooms)

The basics* as above plus:

• Dried porcini mushrooms soaked in a bowl of warm water for 2 hours (I use just over half of the 1 oz. package), then chop half of them finely and half coarsely reserving the mushroom broth. Strain the mushroom broth through cheesecloth and reserve– heat before using. Dried mushrooms can be sandy and this sand will fall to the bottom of the bowl where you soaked—try to leave the sand in the bottom of the bowl when you strain the mushroom broth.
• TIP: No you can’t use the bland fresh mushrooms they sell in the USA. If you can find fresh porcini count your blessings.
• salt to taste (don’t forget when you add the cheese at the end it also adds salt).

Continuing from the beginning above:

• Once the wine has evaporated and you are drinking the other glass-
• Add the hot mushroom broth and the chopped mushrooms.
• Once the broth is absorbed by the rice began adding the HOT stock one ladle at time.
• REPEAT patiently adding one ladle of hot broth at a time waiting until it is almost absorbed before adding the next ladle.
• TIP: To make really good risotto you have to stand there and stir it slowly but continuously. I really mean it! Everything must be prepared and organized in advance.
• From here to the finish is simple - keep stirring and keep adding the hot both as it cooks into the rice and keep drinking the wine in your glass.

The process takes about 18 minutes from the time you add the first ladle of broth to the rice. Start tasting the rice after 15 minutes to check the cooking progress. Each grain should retain just a bite—not a crunch. To finish go to “finishing both” below.

Variation Two—Risotto Milanese - Italian rice with saffron

All of the basics* as above plus:

• Saffron powder (at least 125 mg.) mixed with one cup of the hot broth for 5 minutes or, preferably, saffron threads (at least 300 mg.) mixed with a cup of the hot broth and soaked for at least 30 minutes (60 is better).
• TIP: Saffron threads are best and are prettiest in the finished dish.

Continuing from the basics* above:

• Once the wine has evaporated and you are drinking the other glass.
• Begin adding the hot broth one ladle at time.
• After you have added one ladle of broth add either the saffron powder mixed with a ladle of hot broth or the saffron thread that have been soaking in a cup of the hot broth for at least 30 minutes.
• REPEAT patiently adding one ladle of hot broth at a time waiting until it is almost absorbed before adding the next ladle.
• TIP: To make really good risotto you have to stand there and stir it slowly but continuously. I really mean it! Everything must be prepared and organized in advance.
• Salt to taste
• From here to the finish is simple - keep stirring, add keep adding the hot both as it cooks into the rice and drink the wine in your glass. Start tasting the rice after 15 minutes to check the cooking progress. Each grain should retain just a bite—not a crunch.
• The process takes about 18 minutes from the time you add the first ladle of broth to the rice.Start tasting the rice after 15 minutes to check the cooking progress. Each grain should retain just a bite—not a crunch.

Finishing both:

But when is the rice done? You have to taste it frequently after you have been blending in the broth for 15 minutes. The rice should be firm to the bite - not crunchy, but also not soft like the steamed rice we make in the United States. The risotto should also be quite moist - not dry at all. It will look and taste creamy.

The Mantacare:

• When the rice is barely short of being done remove from heat and blend in what is called the mantacare, the remaining butter and cheese - this adds a rich creamy texture to the risotto:
• Blend in the remaining butter and
• 1/2 of a cup grated Italian Parmigiano Reggiano cheese
• TIP: The American versions of this cheese can’t match the real thing. Please after all this work use real Parmigiano Reggiano or in a pinch Grana Padano.

Plate and sprinkle with a bit of freshly chopped parsley, preferable Italian flat leaf or chives.

Serve immediately with additional freshly grated Parmigiano Reggiano.

Risotto and Wine

Risotto Milanese and Risotto con Funghi are the perfect dishes to show off your finest mature red wines. These risotti are elegant dishes with complex, but not strong flavors that make them the perfect match with the refined flavors of mature wines.

Classic accompaniments would be Barolo and Barbaresco and I could not agree more. I would caution against pairing the ultra-modern style of these wines with these dishes as overt oaky flavors tend to bury the subtle flavors of the risotto. Great Bordeaux and Burgundy wines will also find themselves quite at home beside these recipes.

However, I like to stay with the wines of Piemonte with these two recipes. Barbaresco is somewhat more restrained than Barolo and is a good choice for earlier drinking. Don’t forget Nebbiolo d’Alba as it is produced from the same grape that makes Barolo and Barbaresco and drinks well much earlier. Dolcetto d’Alba and Barbera d’Alba/Asti (not the oaky ones) also work well.

For American wines my choices would clearly be either an Oregon Pinot Noir or a Napa or Sonoma Merlot. 

Dog (liani) Gone Good

I’m trying to remember the first year I visited this estate - 82? 83? In those days Einaudi was ultra-traditional and in the 80’s that meant erratic. While those days are often a bit over romanticized, there is no debate that great wines have always been produced by the Einaudi estate - most of the time. Rustic would have been an over-polite way to describe the old Einaudi winery of the early eighties, but today’s Einaudi wines are produced in a sparkling clean modern winery. While some may debate the plusses and minuses of that, you cannot debate the pleasures of their wonderful dolcetto wines and the fact that the ups-and-downs of previous decades are no more. The Dogliani region of Piemonte is well established as a premier dolcetto region and Einaudi’s are among the very best wines from this region. The 2006 Einaudi Dolcetto di Dogliani is as brilliant and brightly fruity as you could hope for, but offers a lot more than that. Under the dense black fruit is a hard edge that comes not only from the electric acidity, but from a delicious warm earthiness that makes this wine reach beyond the simple fruity offered by so many of its siblings. Drink this wine up now before it dries out.

Italy

Pointless Points and Some Good Wines

There is no worse situation for tasting wines than big trade and consumer tastings. The format is always the same; a hotel ballroom with tables arranged like circled wagons waiting for the Indians to attack staffed by local wine reps with knowledge or not of the wines being poured. The room is crowded, hot and it's tough to get through the crowds to taste and harder still to get to a spit bucket in time. It's difficult to think of a worse situation to judge a wine.

The format is not really the problem. After all, these events are really cocktail parties designed to entertain trade or consumers. Serious tasting is not on the menu and that's not a reason to attend. If you go for serious tasting, you'll be frustrated. It's a party, not a tasting and I think distributors and other wine shows have every right to put on such events as that's what people, professionals and consumers alike, really want. After all, there's nothing wrong with having a good time with wine.

What's unfortunate is that some writers and bloggers attend these wine keggers and actually score the wines they taste. I don't care if you're using the 100 point scale or a 10 point scale (which after all is just an abbreviation of the 100 point scale) to try to accurately score wines in such a situation is a disservice to your readers. The reason it's not legitimate is that the results are not repeatable. Everyone knows that if you took the same wines and blind tasted these writers that they would come up with different scores. To repeat scores comparing wines tasted in perfect conditions to the same wines tasted in perfect conditions is difficult at best. To assume that you could repeat them going from the terrible circumstances of mass tastings to prefect conditions is not only ridiculous, but dishonest. If a writer cannot be assured that their ratings would be repeated within a few decimal points if they retasted the wines under different circumstances they should not publish those scores. It not only shows disrespect for those that make wines, but those that drink them.

That being said, I offer a few notes of my favorites from a trade tasting of over 100 Italian wines in Portland Oregon hosted by Columbia Wine Company. As usual, all are recommended, but are points-free.

Admiralty Imports

Barolo Canubi, Brezza, 2001 - A classic beauty that is nowhere near ready to drink. Big time tar and roses in this wine.

Barolo Chiniera, Elio Grasso, 2004 - All you could want from one of Barolo's greats. Rich, powerful and structured.

Barbaresco Riserva, Gallina, Ugo Lequio, 2001 - Another elegant classic with great balance. An excellent nebbiolo.

Sagrantino Montefalco, Antonelli, 2004 - Deep, rich and powerful with substantial tannins. Needs age or some wild boar right now.

Brunello di Montalcino, Caprili, 2003 - Finally Brunello that tastes like Brunello instead of barrique. Earthy, structured and complex.

Toscana VDT, La Gioia, Riecine, 2004 - Yet another lovely wine from one of my favorite estates in Tuscany. As always with Riecine, the balance of this wine is impeccable. This is their Super Tuscan. 

Neil Empson Selections

Franciacorta Cuvee Brut, Bellavista, NV - Consistently my favorite Champagne method sparking wine producer from Italy. This wine did not disappoint with its creamy, frothy texture and toasty fruit.

Pinot Grigio, Bortoluzzi, 2006 - A big step up from industrial pinot grigio. Bright and citrusy with ripe, fresh apply fruit and good depth.

Soave Classico, Pieropan, 2006 - As always, just a stunning value in a crisp white that offers real complexity beyond its bright, refreshing character. A great white wine producer.

Kobrand

Isola dei Nuraghi I.G.T., Sardegna, Barrua, Agricola Punica, 2004 - A dead ringer for Spain's Priorat wines from an old carignane vineyard on Sardegna. Deep, rich and powerful with a touch of porty ripeness.

Bolgheri Sassicaia, Sassicaia, 2004 - A perfectly politically correct wine with just the right amount of everything. Svelte and stylish. Their website is just terrible.

Toscana IGT, Crognolo, Tenuta Sette Ponte, 2005 - Deeply colored, powerful, rich and velvety with big, sweet oak highlights. A modern Italian wine of the first degree. Not for traditionalists. 

Wilson Daniels

Castello di Volpaia:

Chianti, Borgianni, 2005 - This is a very, very nice Chianti for the price. Real character and personality. Best of all it tastes like sangiovese, not merlot.

Chianti Classico, 2005 - You can see what a great estate this is by its straight Chianti Classico, which is a structured beauty with touches of black truffle and porcini mixed in with the ripe clean fruit.

Chianti Classico Riserva, 2004 - A potentially exceptional wine with a few more years in bottle. Great character and complexity in a balanced wine of great length.

Coltasalla, 2004 - Always outstanding, Coltasalla is a single vineyard wine produced from sangiovese and mammolo only. Happily there's not a French variety to be found in the blend. A wine of great depth, complexity and personality that needs to be aged.

Winebow

Prosecco, Zardetto, NV - I've been seduced by this charmer for years. A delightful little pleasure.

Roero Arneis, Bruno Giacosa, 2007 - As with everything Giacosa produces, their Arneis is a perfect example of this variety.

IGT Veronese, Palazzo della Torre, Allegrini, 2005 - Smooth and velvety with a richness without heaviness. A good reminder how much I love wines from Valpolicella. This is a ripasso, which adds the extra texture on the palate.

Delle Venezie IGT, Pinot Noir, Kris, 2007 - This is just a pretty little pinot noir. Serve lightly chilled at summer picnics, with Asian food or pizza. Light, fruity and delicious, it's almost more like a dark rose than a red wine. Totally charming. It's a little sad to see it called pinot noir instead of the Italian pinot nero, but I understand the marketing decision.

Vino Nobile di Montepulciano, Valdipiatta, 2004 - A blend of 85% prugnolo gentile (sangiovese) and 15% canaiolo that fortunately is not overwhelmed by a brief voyage in barrique before going into large casks. The angular, rustic character of Vino Nobile is preserved in this interesting wine. The edgy character makes this a great steak wine.

Wine Notes

Recent wines I have enjoyed, most under $20.

Veneto Bianco IGT, Anselmi, San Vincenzo, Italy, 2006 - The lovely light gold color is a proper prelude to the balance of this excellent wine. So few producers get the concept of balanced richness in white wines. Substantial without the least bit of heaviness or cloying fruit or oak, the smooth creamy texture has just enough bite to keep it refreshing. As usual this wine is a tremendous value offering far more complexity than almost anything at this price point. Best of all, the second glass is better than the first. ( find this wine )

Riesling, Bergterrassen Fedespiel, Johann Donabaum, Austria, 2006 - A delicate flower of wine. A lacy mixture of floral and mineral. This is a style of wine that just does not exist outside of Austria, Germany and Northeastern Italy. If it does, I have not tasted it. Lean and delicate, this is one of those wines if you don’t pay attention you’ll miss all it has to offer. The finish is dry, but mellowed by the lovely fruit. (find this wine )

Riesling, Private Lumpkin, Lazy River Vineyard, Yamhill-Carlton District, Oregon, 2006 - While inspired by Old World Wines, you’ll know right away this wine is from the New World. Richly aromatic with ripe apricots and pungent petrol notes, this wine is quite lush with a bit of sweetness accentuated by its fruit-forward style. Not for aging, but perfect for the best Asian cuisine you can find.

Riesling, Mosel-Saar-Ruwer, Essence, S.A. Prüm, Germany, 2006 - All charm and pleasure in this nice riesling for everyday drinking. Just off-dry, but with plenty of acidity to keep it alive, this is a wonderful wine for summer parties or for just keeping in your refrigerator for a glass when you get home from work. A very good starting place for those that don’t know the pleasures of riesling as it’s inexpensive and easy to find. One of those nice wines to enjoy without thinking too much about it. ( find this wine )

Nebiolo (yup, one b) d’Alba, Cappellano, Italy, 2003 - This is just a wonderful bottle of nebbiolo that is an amazing value. Unfortunately they don’t make enough to make it easy to find. Try Chambers St. in Manhattan and cross your fingers. A classic nebbiolo with lifting aromatics laced with tar, spice and that taught floral character only nebbiolo achieves. Still tannic and closed, it will improve for many years. Better than many expensive Baroli for a fraction of the price. Great wine from a great producer. Imported by Louis/Dressner

Pinot Noir, Rogue Valley, Skipper’s Cuvee, Dobbes Family Estate, Oregon, 2006 - This wine makes you wonder why more pinot noir producers are not looking more seriously at Southern Oregon. While the majority of top Oregon pinots are from the Northern Willamette, this wine is so good it should pique the interest of quite a few producers. Richly colored and very aromatic, it exhibits the classic cool climate personality that brought growers to Oregon in the first place. Compared to the price of most Oregon pinots these days this is a great bargain. ( find this wine )

Washington Red Table Wine, Three Wives, Remy Wines,  2006 - Young winemaker Remy Drabkin is someone to watch. Her tiny production under the Three Wives and Remy labels may be hard to find, but I suggest you try to get on her mailing list now. This release, a kitchen sink blend of Bordeaux an Rhone varieties from Washington is a very nice wine at a very nice price. Rich and brightly fruity, this is a great wine for sausages fresh off your grill. Remy has done a great job of crafting a distinctive wine with a clearly Northwestern style.

Rosso Orvietano, Rosso di Spicca, Tenuta Le Velette, Italy, 2005 - I love little Italian wines like this charming wine. Light, with an earthy fruit and lean, zesty character, it’s a perfect wine for simple pastas or pizza. Best drunk with a light chill in stubby bistro glasses on a warm Wednesday night, on your patio, with a dinner you quickly whipped together. Better yet it only costs about ten bucks.(find this wine )

Châteauneuf du Pape, Les Bartavelles, Jean-Luc Columbo, France, 2006 - Since Châteauneuf became a wine region on steroids, much loved by the Barry Bonds steak house crowd, it’s been hard to find a Châteauneuf you can drink with out blowing your palate and the next day. Here is a very nice wine, not a great wine mind you, but a very nice wine that is a pleasure to drink. Make no mistake this is not a light wine, but by New World standards it is quite restrained. With an alcohol level around 13.5% (many hotshot CdP’s push 16%), this is wine that can be drunk with ease and you can still go to work the next day. Most importantly, this is not a simple raspberry fruit bomb, but a wine that offers real varietal character and a rich earthiness and balance that is clearly and thankfully French.

Veneto Rosso IGT, Catullo, Bertani, Italy, 2002 (60% cabernet sauvignon, 40% corvina) - Normally I can stand these new wave Italian wines, but this is a very nice effort. Of course, the cabernet sauvignon overwhelms any touch of corvina character, but what I like is that that the wine is not overdone. You can taste the oak, but it is not over-oaked and is not at all over-extracted and still actually tastes like it not only came from Italy, but the Veneto. A nicely balanced wine that will pair well with lamb or veal. It is mature and ready to drink.

Moulis, Château Maucaillou, France, 2003 - It was with a tinge of sadness that I opened my last bottle of this excellent Bordeaux, but it was only a tinge. This wine, like most 2003 Bordeaux, is ready to drink. Frankly, I think letting wines from this super-hot vintage age is a very bad idea. The wines are lush and easy without the definition that is the hallmark of classic Bordeaux. Wonderfully fragrant, rich without ponderous fruit and with a long, soft cedar spiced finish I just adored this wine. As befitting the a last bottle of good Bordeaux, I served it with the best lamb chops I could buy. ( find this wine )

Pinot Noir, Corral Creek Vineyard, Willamette Valley, Chehalem,  Oregon, 2001 - I know that the 2001 vintage forced Oregon producers to a more lean style, but I admit that I love these wines as they age and wish more producers would make wines like this in more forgiving vintages. The nose is wonderfully layered with orange peel, spiced wild cherries and touches of wildflowers, vanilla and tart blackberries. Firm and almost taut on the palate with a graceful, almost delicate character with hints of tar, candied bitter orange and wild strawberries. I think this wine is perfectly ready to drink now and , in fact, may be at its high point. The tannins on the finish have evolved into that dusty, silky texture than only pinot noir achieves. A very good wine at its peak. ( find this wine )

Technorati Tags: wine,nebbiolo,pinot noir,Bordeaux,riesling,Veneto,Italy,Oregon,Washington State

Wine Notes

Recent tastes I’ve enjoyed, all under $20 except for the Barolo, which is about $40:

Isola de Nuraghi IGT, Perdera Argiolas, 2004 - Produced 90% from the monica variety, this is a wonderful bargain in a wine that actually has a distinctive character. No great wine here mind you, but a very interesting drink.  With just enough earthiness to keep it interesting and enough bright fruit to make it charming. A nice wine with hearty home cooking.

Barolo, La Morra, Mauro Molino, 2003 - Modern Barolo that manages to still taste like nebbiolo. Not my favorite style, but still a well crafted wine. Like most modern Baroli, it is approachable now, but should evolve into a better wine with more age. What I like about this wine is that it is still clearly nebbiolo in character as they did not try to erase all the edges of the wine.

Barbera d’Alba, La Morra, Mauro Molino, 2005 - Big, juicy modern Barbera that puts a velvety coating on your tongue then slices it with a acid stiletto. I’ve never had a real problem with the modern style of Barbera as the natural brilliant acidity, bright fruit and low tannins of Barbera marry well with oak. Loads of charm here, although California palates may find the acidity shocking, but by Piemonte standards it’s tame. What’s important is there is a lot of pleasure right up front in the wine and there is more than enough acidity to be great with food.

Nebbiolo, Langhe, Castello di Verduno, 2006 - This wine is nothing short of an outstanding bargain that you should grab cases of as soon as you can. It is a pure, classic Piemontese nebbiolo with all the tar and roses you could want. Not at all ready to drink (although I can’t resist it) and those with enough patience will be rewarded with a lovely wine. No it is not Barolo, but it’s darn close and better than many more expensive wines that (mis)use the name Barolo. Nebbiolo aficionados will love the biting tannins and the unique angularity that is possessed by nebbiolo alone. With another 3 to 5 years this should be a beauty.

Nero d’Avola, Siciia IGT, Rossojbleo, Az. Agr, Gulfi, 2006 - Big, ripe and fruity. A great pizza and burger wine. This is the type of wine you want to have a case around of in the summer to serve with all those grilled meats. Lots of pleasure with no thinking required, Yummm…

Montepulciano d’Abruzzo, Farnese, 2005 - A very nice everyday wine. Well balanced, lots of fruit with more than a passing hint of complexity. Nothing fancy, just good wine. An excellent party wine. Sausages anyone?

Côtes du Ventoux, La Vieille Ferme, 2006 - Is there a better wine value out there for your house wine? At $10 and under a bottle this is a winner that’s always easy to find. On top of that its got a screwcap so there are never corked bottles to pour down the drain. Best served lightly chilled in large gulps.

Bourgogne Rouge, Cuvée Sylvie, Domaine Sylvie Esmonin, Gevery Chambertin, 2005 - I’ve written about this wine often, but every time I open a bottle I want to write about it again. The only thing I can say is this wine is alive, which for me is the highest compliment you it give a wine. It is just so bright and lively it can’t help but seduce you.  A great pinot noir bargain.

Technorati Tags: Sardegna,Barolo,Barbera,Nebbiolo,Sicily,Montepulicano,Rhone,Burgundy

Wine Notes

Recent wines I’ve enjoyed:

• Weiβburgunder, pur mineral, Trocken Franken, Fürst, 2006 - Pur mineral indeed.  This is a razor blade of wine with electric acidity and flavors that slap your taste buds awake. Served with fresh Dungeness crab it was an amazing match. It took me three days to finish this bottle and it never changed a bit.
• Riesling, Winninger Uhlen Kabinett, Mosel Saar Ruwer, Freiherr von Heddesdorff, 2005 - Bright and refreshing and a wonderful aperitif. Clean apricot with just a hint of petrol, I enjoyed the first two glasses as an aperitif on two days after work and finished the bottle with some Thai carryout. I think it is better to drink this younger rather than cellaring it as it seems all about the fruit.
• Pinot Noir, Littorai, Sonoma Coast, 2005 - One of the best California pinot noir wines I’ve tasted. Great balance, weight and structure. One of those pinots that deftly blends both bright fruit and funk into a wine of unending interest. The finish lasts longer than you can wait to take another sip.
• Pinot Noir, Walter Hansel, Hansel Family Vineyards, Cahill Lane Vineyard, Russian River Valley, 2005 - An excellent pinot noir that had the unfortunate luck of being served next to the Littorai. However, this is an very good pinot noir that exhibits what could be called the best characteristics of a balanced California style. Rich without being jammy with an lush balance and a lingering finish.
• Syrah, Dry Creek Valley, Michel-Schlumberger, 2005 - Appropriately big, but not over the top.  You won’t confuse this syrah with grape concentrate. Meaty and oaky with a firm structure and more than enough fruit to carry the alcohol. I liked this wine quite a bit as it’s so hard to find a California wine that knows how to be big with dignity.
• Nebbiolo Langhe, Serralunga d’Alba, Germano Ettore, 2005 - A real classic angular nebbiolo with tannin to spare. So many nebbiolo wines these days seem to try do disguise themselves as zinfandels these days, it’s wonderful to taste a wine like this that lets the true character of its variety sing its own song. This wine will be much, much better in two or three years, but I drank my three bottles anyway. Note to self: buy more ASAP.
• Rioja Riserva, Muga, 2003 - What’s the deal with Rioja? The overt oaky character that I would hate in most wines just seem to work in Rioja. Muga is one of the premier estates in Rioja and this wine does not disappoint. Fragrant and elegant with a sweet oaky character that slides silkily across the palate with an underlying acidity that lifts and brightens the rich oaky fruit.
• Brandy, Germain Robin, Anno Domini 2000 - I’m a long time fan of the California brandies produced by Germain Robin, but I had not heard of their 2000 Anno Domini when a bartender friend recommended I give it a try. I was stunned at the quality of this brandy, which literally blows all the big commercial Cognac houses out of the water when it comes to quality. The depth and complexity displayed by this spirit cannot be overstated. Except for a few producers, buying Cognac is a waste of money these days when there are spirits like this outstanding brandy.
Technorati Tags: German wine,pinot noir,syrah,nebbiolo Rioja,brandy

Wine Notes

Recent wines I’ve enjoyed:

• Anderson Valley Brut Sparkling Wine, Roederer Estate, 25th Anniversary, NV - I’ve had this very nice sparkling wine many times lately; several bottles at home and then one interesting experience at a wine bar. First for the wine bar experience; my local wine bar was offering both the NV Roederer Champagne Brut and the Anderson Valley Sparkling, but having had the Anderson Valley recently I, against my better judgement, ordered the Roederer Champagne. I say against my better judgment because few wines are more disappointing these days than big name Champagne. However, I took one sip and was blown away by the quality of the Roederer Brut. Not so fast, I soon found out the bartender had poured me a glass of the California Roederer by mistake. She quickly followed up with a glass of the real Champagne, which, as usual, was lackluster. The Anderson Valley Roederer continues to be an outstanding American sparkler and is clearly superior (and less expensive) then their Champagne.
• Champagne, Grand Cru 100%, Blanc de Blancs, Reserve Brut, Guy Charlemagne, Le Mesnil-sur-Oger, NV - High strung and very toasty, this is a delicious and complex Champagne that shows the best of chardonnay in Champagne. The aromatics are delicate, but not a bit shy with a steely froth that races across the palate, stopping just long enough for a compelling finish. Although I prefer the big Bouzy Champagnes, this is an excellent wine and a bargain at $46. This is a one of those Champagnes that can handle caviar.
• Riesling Kabinett, Selback-Oster, Mosel-Saar-Ruwer, 2006 - I enjoyed a bottle of this lovely wine over four days as an aperitif when I arrived home from work. I swear after four days in the refrigerator this wine hardly changed a bit. Such stability is a tribute both to their winemaking and winegrowing. Only perfect grapes can produce such harmony. Beautifully fragrant with honeysuckle and spices, it took effort to pull your nose out of the glass to take a sip. That sip delivered pure charm and seductive white peach and ripe pear flavors laced with tart citrus and a lovely touch of sweetness. No thought required here, just up-front delicious pleasure. Nice screw-cap, I’d drink this up young and fresh.
• Riesling, Alsace, Albert Boxler, 2004 - This is it, riesling right on the money. No-over-the-top, off-dry, high alcohol, quasi-dessert wine from Alsace here, but a big, rich wine that maintains respect for the variety and vineyard from which it came. On the fuller gold side of color with a rich nose touched with hints of figs laced with bright apricot with touches of crisp apple that continue into the complex layered flavors. It is rich and expansive on the pallet without becoming dull as it maintains a racy, crisp essence under its substantial girth. I enjoyed this thoroughly with some of my own crispy fried chicken.
• Monferatto Rosso, Braida IL Banciale’ di Giacomo Bologna, 2004 (60% barbera, 20% pinot nero, 10% cabernet sauvignon, 10% merlot) - Not so long ago I had a bottle of the most expensive wine Bologna produces, which I did not enjoy. Yet here is one of their least expensive wines and it was a delight. Earthy and fragrant with great complexity and balance, it was delicious with a very buttery mushroom risotto at Bice. Oddly enough, the cabernet and merlot hardly show in this wine as the backbone is all barbera and the aromatics and elegance all pinot nero. I really enjoyed this wine, which only really seemed to open with the last glass.
• Dolcetto d’Alba, Pra di Po, Germano Ettore, 2006 - This is simply a wonderful dolcetto that I intend to buy a few cases of as soon as possible. I recommend you do too before it’s gone. This wine is all about hedonistic pleasure over the next two years, although I doubt any bottle I have will make it that far. I salivate thinking about the beautiful bright wild dark cherry and blackberry fruit flavors and aromas intermingled with hints of black truffles, new leather, sage and lavender. All of this is held together by racy acidity and some silky tannins that bring all the fruit intensity into perfect harmony.
• Barbera d’Asti, Roberto Ferraris, 2006 - This is one of those stealth wines. It seems pleasant enough at first, but by the time you finish your second glass it has you hypnotized. What is amazing is no matter how long you leave it open it just seems to get better and better. I finished the last of a bottle that had been open for three days tonight and it was flat out wonderful. This is not a big wine, it is exceptionally balanced and the underlying complexity requires you to pay attention and introduce yourself before revealing everything. I’ve opened three bottles now and I would suggest decanting this wine for an hour before serving if, like me, you can’t resist drinking it. What this wine is not is a jammy, oaky ultra-purple barbera like so many make these days. If you can, give it a few years in the bottle and you’ll have something special.
• Gigondas, Bertrand Stehelin, 2004 - Big and beautiful is not easy to do, but this wine achieves it. The aromas and flavors are richly pungent, bringing to mind an old fashioned butcher shop where the aromas of raw meat mix with sawdust and smoke. Intermingled with all these carnivorous sensations are ripe wild blackberries, an engaging warmth and round tannins that give it a nice backbone. I served this wine with some braised, bone-in pork loin and all three of us enjoyed the experience. While obviously too young to be at its best, this is a wine that just draws you into its sumptuous experience and you find yourself savoring each drop as you finish your glass after the meal is done.

Wine Notes

Recent tastes -

• Champagne, André Clouet, Silver Brut Nature, Grand Cru Bouzy, NV (under $45) - Clouet has rapidly become one of my favorite Champagne producers. Rich, creamy, toasty, complex and intensely dry. This is a wine that would be hard to explain to those used to the more innocuous flavors of industrial Champagne producers. Great bubbly.
• Champagne, Delavenne Père & Fils, Cuvée Rose, Grand Cru Bouzy, NV (under $45) - Lots of flavorful pleasure here, but what impresses me most about fine Champagne are the wonderful textures and the creamy frothiness that coats your palate with complexity and pleasure. Bouzy seems to be the epicenter of complex grower Champagnes. The lovely copper color is a inviting prelude to the bright wild strawberry fruit with a lively frothy texture and a long creamy finish. An excellent wine.
• Semillon, L’Ecole No. 41, Seven Hills Vineyard, Walla Walla Valley, 2006 - Big oily, yet dry and bracing. Too bad the alcohol is a bit over the top. Semillon continues to be one of Washington’s most interesting whites. Lobster and crab come quickly to mind when you take your first sip.
• Rioja, Remelluri, 2001 - Just as you would expect there’s plenty of oak here, but it somehow seems to work in Rioja. Very aromatic and spicy with a great balance and an interesting intertwining of sweet oak, tar and ripe bitter cherry fruit. Though thought of as a modern-style Rioja, it seems almost old fashioned compared to today’s fruit bombs. A very nice wine that is more than interesting to drink.
• Barbera d’Alba, Marcarini, Ciabot Camerano, 2005 - This is a wonderful barbera. A beautiful deep ruby with an expansive nose redolent of wild blackberries it is deeply flavored, yet lively and zesty. The combination of power and depth with an almost electric back bone make this an extraordinary pleasure to drink.
• Barbaresco Riserva, Pora, Produttori del Barbaresco, 1999 - I always feel the worship that surrounds the Produttori wines is a little excessive. While dedication to the traditions of the Langhe are to be respected, some traditions are better left behind. The Produttori wines always seem a little hollow compared to other fine traditionalists who have found ways to stay true to the integrity of their vineyards and nebbiolo while bringing to the forefront more fruit character. That’s not to say I did not like this wine, which I did, but these wines are mostly good bargains as compared to being great wines. That being said, this is a very good nebbiolo, although the fruit has already dried out leaving little to balance the substantial remaining tannins. It certainly will be interesting for many years, but will never attain perfect balance.

Wine Notes

Every time I have a wine I like I put the bottle on my desk so I can write about it. When space runs out you get one of these “Wine Notes” posts. These are all wines that I have consumed with meals and have usually tasted over a period of several days. They are more often than not under $30 as I frequently find more expensive wines not enjoyable with my day-to-day cooking as they are not ready to drink or just too big and woody. These posts are a true picture of the wines that I choose to serve at home with my own meals. All the wines in these posts are recommended. In fact, you’ll rarely find me writing about a wine I don’t like unless I think it’s an incredible rip-off or a pretentious, over-marketed wine of questionable quality like Veuve Cliquot.

• Prosecco, Montello d Colli Ascolani, Loredon Gasparini, NV - I’ve been gulping a glass of this charmer every night while cooking dinner lately and find it refreshing and uplifting after work treat. It is a lovely, creamy fruit-driven bubbly that is just barely off dry. At under $15 this is a pleasure that can be enjoyed often. I’ve been using a stopper and drinking over three or four days and the bubbles hang in there to the last glass.
• Muscadet Sèvre e Maine sur lie, Cuvée Médaillée, Le “L“‘d’Or, Pierre Luneau-Papin, Domaine de la Grange, 2005 - A steely laser of a wine. Very firm and tight with that stony minerality that only Muscadet delivers. I drank this wine over a week and it just kept getting better with air. Muscadet is the clear winner when it comes to the long wine name awards. It was perfect with some pan-fried Oregon oysters. I know it will be better with age, but I just don’t have the willpower not to drink it now.
• Müller Thurgau Dry, Phalz, Weingut Ökonomierat Rebhotz, 2005 - This is one of those wines that have so much acidity you think your glass has a static charge as it touches your lips. Crisp with a zippy lemon-lime fruit, this was a great match to some Thai spring rolls. Wines like this should be used to define the usually misused term “dry” as this one is almost jarringly dry. As you know combining electric acidity with jarring dryness means that both me and my deep fryer love this wine.
• Sangiovese di Romagna Superiore, Torre di Ceparano, Fattoria Zerbina, 2003 - I’ve been a Zerbina fan for a long time. While their top expensive “Super” wines get big points, what I actually love are their least expensive wines like Ceregio and this wine. The Torre di Ceparano is consistently a great value in sangiovese. Structured with authentic, earthy sangiovese fruit and character, there are few Chiantis that can match this wine and those that do all cost a lot more. If you can’t figure out what the big deal with sangiovese is all about try this wine with some braised lamb shanks. In my opinion, Zerbina is the best producer in Romagna.
• Nebbiolo Langhe, Produttori del Barbaresco, 2005 - An very good bargain in Piemonte nebbiolo, which is something that is getting harder and harder to find. Very classic with earthy fruit, drying tannins and distinctive aromatics. You’ll find plenty of the famed “tar and roses”, which are the defining characteristics of classic nebbiolo. It is definitely worth waiting a few years before drinking this fine wine.
• Beaujolais Le Perreon, Nouveau, Domaine de la Madone, Jean Bererd et Fils, 2007 - Served lightly chilled with homemade pizza topped with lots of sweet onions and an egg, which made a perfect match and a very enjoyable dinner. Believe it or not, there are some very good Nouveau Beaujolais wines being produced by small estates. Good luck finding them though.
• Dolcetto d’Alba, Pertinace, Treiso, 2006 - With so many Dolcetto wines on steroids these days (six are named in the Mitchell Report), it’s nice to find a wine that you can actually drink without going to the dentist to have your teeth cleaned. Fresh, brightly fruity, pleasantly zesty and under $15, which makes this a great wine to buy by the case for casual meals. No it’s not profound, but sometimes deliciously easy is more enjoyable than profound.
• Cahors, Clos La Coutale, 2005 - If you ever wondered why people grow malbec after tasting yet another drab commercial grocery store wine from South America, try this rich blend of 80% malbec and 20% merlot. Robust with layers of flavors and a firm backbone that leads to a warm, earthy finish. An excellent choice for this winter’s hearty stews.
• Bourgogne, Cuvée Sylvie, Domaine Sylvie Esmonin, 2005 - A great value in fine French pinot noir. Lately I’ve been having better luck finding good pinot in this price range than with more expensive bottles. As a Burgundy lover living in Oregon, I am always ordering bottles of Burgundy to convince locals of its superior charms. Often these wines do not present convincing arguments in support of my position. However, wines like this do. This is almost picture perfect pinot noir. No, it’s not the most complex pinot you’ll ever taste, but it is delicious and purely varietal. Rich, creamy and velvety from first sniff to the last lingering essence of the finish, this wine is pure pinot pleasure. One note, by the next day the wine had faded quite a bit. Therefore, I’d suggest drinking this wine up young and pretty.
• Côte de Brouilly, Domaine de la Voûte des Crozes, Nicole Chanrion, 2005 - This is one of those rich Cru Beaujolais wines that remind you more of pinot noir than the many insipid wines that carry the name Beaujolais these days. This is a classy gamay with great depth and richness. This wine is still actually a bit closed and needs a year or two more to really strut its stuff. Mixed with the brilliant gamy fruit flavors and aromas are touches of black truffles, herbs and a touch of black pepper. This is a wine that makes you sit up and take notice.
• Château Aney, Haut Medoc, Cru Bourgeois, 2003 - Just a few decades ago Bordeaux was my go-to wine. It dominated my cellar and my table. Those days are long gone and now I taste more Bordeaux than I drink. However, when rack of lamb appears on my table my taste buds yearn for Bordeaux, or what Bordeaux used to be anyway. Now 2003 is not my favorite vintage and I had not tasted wines from the Chateau before, but with Kermit Lynch’s name on the back label I decided to give it a try and I’m glad I did. While like most 2003’s it is not the most structured Bordeaux you’ll ever taste it has enough of a tannic backbone that it reminds you it really came from the Haut Medoc. For me this wine is ready to drink now and over the next year or two and that nothing worthwhile will be gained by extended aging. It went perfectly with my lamb and cost less than $25. Now there’s a Bordeaux you can enjoy. It’s worth pointing out this wine is listed at 12.5% alcohol, that’s nice too.
• Côtes du Rhône, Les Cailloux, Domaine Rabasse Charavin, 2004 - Here’s a big, ripe chewy wine that pulls it off. It took me a glass to adjust to it, but after that I found its ripe earthy warmth comforting and enjoyable. Having a big cheeseburger dripping with extra sharp cheddar tonight? Here’s your wine.

Barolo Bussia Dardi La Rose, Poderi Colla, Monforte d'Alba, 1999

Bright scarlet/ruby with hints of garnet. Translucent. Smoky, smoky, dried porcini aromas slowly open into tart raspberry fruit. Closed and intense on the palate with layers of flavors: mushrooms, leather, cherry, raspberry. The finish is concentrated long and very tannic. Truly an outstanding classic Barolo destined for long-term greatness. One of the wines of the vintage.

Barolo , Cavallotto Bricco Boschis, Castiglione Falletto, 1996

Bright, translucent ruby with just a touch of orange at the edge. Explosive, earthy smoky aromas with a touch of underlying caramelized rasaspberries and a hint of Graham’s 20 year-old Tawny Port. Exceptionally complex. On the palate it is at first lean and tannic, but this is a façade as the wine soon broadens into layer upon layer of complexity. Bitter chocolate and bitter cherry flavors lead into a long warm earthy finish. Try to keep this one at least until its tenth birthday. If you must drink it now decant it for at least three hours before serving. Traditionally made Barolo wines have a unique blend of aromas and flavors they make them among the most interesting wines in the world. No simple black fruit references here, but all sorts of one-of-a-kind sensations. Dried roses and leather are the classic ones and they are certainly there, but add to this mushrooms, truffles and a certain wildness.

Barolo, Fontanafredda, La Rosa, Serralunga d'Alba, 1999

Bright ruby/scarlet with just the lightest hint of orange. The aromas are an exotic mix of ripe dark fruits and leather and dried porcini mushrooms. Smoky ripe plums show in the nose and on the palate with layers of dusty burnt cherries and bitter oranges followed by firm, hard tannins that are somehow surprisingly round in their intensity. The finish is restrained by its intense tannins, but the powerful complex fruit flavors are already starting to show through. Tasted over a four day period and the wine was still fresh and showing now oxidation on the forth day. Definitely a wine for long-term cellaring.

Barbaresco Bric Balin, Moccagatta, 1999

Bright deep scarlet. Very oaky first impressions on the nose, underlying smoky plumy fruit. Oak also apparent throughout the palate. Firm, somewhat astringent fruit is made more astringent by wood tannins. Under the fruit and wood tannins ripe plumy fruit struggle to keep up. Not a good first impression. I would prefer to see less oaky astringency overlying the already tannic nebbiolo from a fine vintage. Still overall a first class serious effort at the modern style. Not recommended for barrique haters.

Barbaresco Palazzina, Montaribaldi, 2000

Amazingly generous for such a young wine. Bright ruby with garnet hints. Round and ripe in the nose. Deep plums, with and underlying bitter wild cherry and a hint of orange. Underneath is a clear earthy nebbiolo varietal note. Rich and lean at the same time. Start out big and sweet then implodes into tannin. The finish is long and complex and although this wine is not nearly ready paired with intensely flavor foods like fatty, charred American steak it can be consumed now with pleasure

Barbaresco Roncoglie, Poderi Colla, 2000

Ruby with garnet hints. Translucent. Quite ripe even a hint overripe. Sweet plum, spicy with earthy hints. Floral with violet hints. Round and ripe on the palate with quite a tinge of very ripe fruit. Dark canned cherries and raspberries followed by very apparent but well integrated tannins. Should mature somewhat more quickly than usual.

Nebbiolo d'Alba, Poderi Colla, 2001

Bright ruby/scarlet with garnet hints. Just translucent. Closed at first but opens into floral, rose dust, firm ripe plum aromas. Firm on the palate the tight flavors slowly grow to a delicious layered intensity. Tarry, bitter cherry flavors grow into warm ripe raspberries on the palate. The finish is extremely long, tarry bitter cherry flavors fade into firm but well rounded tannin. Perfect for drinking now and over the next several years.